Printmaking

Bug

Bug

A drypoint print created using an electric drill to ‘draw’ into the printing plate. 

Elsie

Elsie

This print is part of the Gift Horse series. It is an etching and digital print.

Gabriel

Gabriel

A large scale carborundum print , with digital section.

Gift Horse

Gift Horse

One of the original series of etchings.

Gift Horse (Screenprint)

Gift Horse (Screenprint)

Screenprint monotype. 75 x 60 cms

Gift Horse (series)

Gift Horse (series)

As part of the Gift Horse etchings

Gift Horse with Apple

Gift Horse with Apple

A large scale two plate etching. 75 x 60 cms

Grace

Grace

A group of 25 variable edition woodcuts.

Hayfever

Hayfever

2 plate etching and carborundum print. 66 x 64 cms

Heaven Fields

Heaven Fields

Photo etching and collage

Horse and Cherry

Horse and Cherry

Two plate etching.

Stubble Hare

Stubble Hare

Collagraph print.

Tiny Gift Horse

Tiny Gift Horse

A smaller group of Gift Horse etchings.

Trojan

Trojan

 Two plate etching

Wild Boar

Wild Boar

Drypoint print, with relief print of grasses.

Artist Profile

Elizabeth Ockford lives and works in Sussex. In 2009 she completed a Masters in Fine Art Printmaking at Camberwell School of Art, in London.

Working out of her studio in rural Sussex, which is equipped with her own printing press, she explores notions of nostalgia and memory, and emotional responses to places and animals. Believing that animals enter our lives through fables and myths, in ways that cross time and cultures, she is interested in depicting those animals that tell us a story.

Although she creates pieces about a variety of subjects, increasingly this has led to Elizabeth making pieces about the Horse. She is fascinated by its place in history and culture around the world, and by the complexity of messages it conveys. The Chinese Tang horse has influenced her, their strong beautiful necks and stylised silhouettes are a constant feature in her work, which typically is full of bold gestural marks and vibrant colours. When working directly from a horse to commission, it is the character of the horse itself that comes out- and this leads to varying degrees of abstraction dependent on her response and interaction with the animal.

Her informed and intuitive take on developments in the contemporary Art and Design markets, allows her to engage with a diverse range of applications and broad subject matter as well as the Horse.
She often works with images that relate closely to her childhood memories, and which demonstrate her love of colour and mark making.

She exhibits regularly in London and the South East, and her work is held in private collections around the world.